Spantastic Great Square Sectory 04
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We have thus far been considering those arts which pertain more directly to living. We have presented some sketches found engraved on pieces of bone. We first noticed this among the relics found in one of the Creswell caves in England. It was also noticed in Belgium. It was among the Cave-men of Southern France that this artistic trait became highly developed. Among the reindeer hunters of the Dordogne were artists of no mean ability. We must pause a minute and mark the bearing of this taste for art. We have seen many reasons for supposing the men of the caves much farther advanced in the scale of culture than those of the Drift, but we have also seen that we can not rank them higher than the highest grade of savages.

Among the favorite intimates of the king, perhaps the most prominent was the Duchess of Portsmouth. The king himself had raised her to that rank. She was a French girl, who came over, originally, from the Continent with a party of visitors from the French court. Her beauty, her wit, and her accomplishments soon made her a great favorite with the king, and for many years of his life she had exerted an unbounded and a guilty influence over him. She was a Catholic. Though not allowed to come to his bedside, she remained in her apartment overwhelmed with grief at the approaching death of her lover, and, strange as it may seem, she was earnestly desirous to obtain for him the spiritual succors which, as a Catholic, she considered essential to his dying in peace. After repeated and vain endeavors made in other ways to accomplish her object, she at length sent for the French ambassador to come to her rooms from the king's chamber, and urged him to do something to save the dying sinner's soul. "He is in heart a Catholic," said she. "I am sure he wishes to receive the Catholic sacraments. I can not do any thing, and the Duke of York is so full of business and excitement that he does not think of it. But something must be done."

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