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Taken singly, I suppose that none of the figures in the chapel, except the Virgin's grandmother, should be rated very highly. The under-nurse is the next best figure, and might very well be Tabachetti's, for neither Giovanni d'Enrico nor Giacomo Ferro was successful with his female characters. There is not a single really comfortable woman in any chapel by either of them on the Sacro Monte at Varallo. Tabachetti, on the other hand, delighted in women; if they were young he made them comely and engaging, if they were old he gave them dignity and individual character, and the under-nurse is much more in accordance with Tabachetti's habitual mental attitude than with D'Enrico's or Giacomo Ferro's. Still there are only four figures out of the eleven that are mere otiose supers, and taking the work as a whole it leaves a pleasant impression as being throughout naive and homely, and sometimes, which is of less importance, technically excellent.

We walked and walked the entire day, until 6 p.m., covering a distance of 26 kil. The Indian Miguel worried me the whole day, saying that cutting the _picada_ was heavy work and he could not go on, as his finger was hurting him, and the pay he received--L1 sterling a day--was too small for the work he had to do. I had to keep constant watch on him, as he was a man of a slippery nature, and I did not know what he might do from one moment to another. Also he said we were simply committing suicide by trying to go through the virgin forest, as we should meet thousands of Indians who would attack us, and we had no chance of escape. I needed this man and his companion to carry my sextant and the unexposed photographic plates, some two hundred of them, which were of considerable weight.



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